• the eyes of god are upon you
    and you can do nothing
    but drive faster, harder
    into the heart of it
    like some mythical beast
    who is only conquered
    by blood, bone and gasoline.

    the world flattens out
    and the road straightens
    for miles of empty space
    and at night the snow
    erupts like phosphor
    in the bleary gaze of headlights,
    an endless plain beyond
    of a wet and glaring white
    and dead winter grass.

    you have no home, wanderer,
    drifter from couch to borrowed bed,
    carrying your belongings
    in a plastic grocery sack,
    a pint of fire in your pocket,
    hands grip the steering wheel
    and the world at your whim.

    ———————————-

    i smash a roach
    beneath the bottom
    of my whiskey glass
    and i watch quietly,
    detached, calculative
    his final moments expire
    in a thin silent twitch
    through the smokey brown murk.

    i smash the night
    beneath the heroin weight
    of stone tired eyes,
    sucking the dark
    from each moment
    until a barter can be met
    and sleep can be had.

    i disturb the agreement
    at this quiet locus,
    brewing lightning and gridlock
    in the clogged receptors
    of some tangled neurology,
    twisting, shaking,
    falling and drowning
    in the mystery beneath
    like a case of bad brains.

    ———————————-

    i make helter in the country
    and bring skelter to the city
    and at night i can feel my heart
    beat hard against my chest
    and i can hear it like a war drum
    hollow in my ears.

    the days are good
    but the nights are better,
    filled with a violent or criminal
    juxtaposition with philosophy
    and necessity, the weird
    with the ordinary,
    some viral benediction.

    i awake to the staggering certainty
    that this is who i am,
    this and no other man
    was i meant to be nor could i be
    no matter what lies
    the devil may tell.

    ———————————-

    a cold halo circles the night
    and the city lights in the distance
    lay like fallen stars
    perched on the horizon
    and this mortal clay is warm
    by the friction of love and war.

    girls made of liquor
    walk around in high heels
    daring the world to crumble,
    the soft nothing of their eyes
    threatening everything
    and the cold air crushes your bones
    while the girls go moving on.

    the trees stand by
    like watchers over the road,
    gnarled fingers reaching out
    and here death is a sound,
    death is a whisper
    you understand only too late.

    the universe exists
    so that i may exist within it,
    in ego, glowing this amniotic cosm
    and i know now i must pay back
    every ounce of this anima debt,
    sin by sin, person by person
    before the world will turn
    a full revolution and i with it.

    -S.C. Martinez

  • i go to the diner
    because i enjoy listening
    to the hardened women speak.
    they rattle off complaints
    like bullets with no regard
    for who is near.
    long hours, low pay, shitty men,
    whores for coworkers
    and assholes for customers.
    if you sit at the counter
    you will be hit with expletives;
    it is a social contract.
    money, lovers, dirty dishes
    and wet, gnarled hands.
    their teeth are lost
    in the slow cycle of decay.
    they smell of addiction
    and sour childhoods, bad memories
    of daddy and every man
    that has come after
    and they take out this aggression
    on hash browns, sausage patties
    and egg shells.
    the names of children tattooed
    on their wrists and necks.
    stretch marks and mean faces.
    the endless hiss of oil
    and the rising of steam
    accompany the clang and clatter
    of various instruments,
    the scraping of utensilary madness.
    arguments are had, alliances forged
    and broken in the span of cigarette breaks.
    they count down the hours
    with a harsh fatigue,
    add up the dollars
    and perform simple arithmetic
    to determine the level
    of that day’s misery.
    hair pulled and pinned,
    lightly dusted with grease.
    skin taut and wrinkled nerves
    and their eyes hold fire.
    ain nobody got no hours,
    pull two bacon, a weird language
    in the back and forth economics
    of breakfast with strangers.
    they scratch their arms with long nails
    and make crude references.
    i suck down my food and exit.
    the world is not so bad.

    -S.C. Martinez

  • i let a fire burn
    just to watch tendrils rise,
    the gray reach like arms
    up and out to some ultimate terminus.

    i let a fire burn
    just to feel the heat again,
    the writhing warmth
    that moves up the spine slowly.

    i let a fire burn
    because i need it to,
    to satisfy this elemental dependence
    like a bent slave must.

    -S.C. Martinez

  • the click clack of her heels echoes sharply
    in the narrow avenues of my brain,
    the boulevards wherein she was mine
    and i was able to know her.

    the click clack of her heels comes back at me
    through stone resonance
    howling off the architecture of everything.

    there is rhythm here, if it can be found,
    there is rhythm here to manifest sound
    in the form of jazz halls and blues joints,
    the steady spilling of harmony out in to the night.

    it is this way each time she leaves,
    each time she goes it is this way,
    her flowered gait leaves gardens behind
    and i become a shadowed visitor
    entangled in the ivy walls of her aftermath.

    for a moment more it is as this,
    a sprawling chaos rendered from hours of waiting,
    hours of pretending,
    watching satellites break from orbit
    and fall back in with the others
    as i stand waiting by the wayside
    for a moment with this singularity.

    -S.C. Martinez

  • how hot is your little sun,
    how bright can it get?

    when they follow my eyes
    i look upon myself as a king,
    a great warrior of hearts
    and when they turn away
    i see only shame and mutant fatigue,
    a false prophet, a coward.

    i sit in a tiny room
    claustrophobic against my possessions
    and i think only of their eyes,
    their wandering sensibility,
    their pictureframe arrhythmia
    and i do this because i must.

    i fashion a sun dial
    from liquor bottles
    and count down the evening
    where it is acceptable
    to drink like an old poet
    of failed philosophy
    and terrifying, changing industry.

    drones forever separate
    this moment from the next
    and by god i will burn in hell
    for every minute after
    if that is what it takes
    to gather some substance from this,
    this beleaguered method
    of change through persistence.

    -S.C. Martinez

  • no witness to mark one moment from the next,
    none to quiver and shout as things begin to emerge
    out of nothing; stars, quarks, tiny strings,
    brushstrokes from an almighty artisan.
    gas and dust spiral and merge and war and result
    in bold rocks in the heavens, those we can see,
    those we can only feel in our bones,
    the mystery of it, the universal uncertainty
    of other world icons floating out there
    beyond our knowing, anchoring our hearts to this one.

    -S.C. Martinez

  • shiver in the morning
    and burn in the evening,
    autumnal love affairs
    rush the blood
    on cold nights and all in vain,
    for what, some synaptic light show
    wherein all thoughts are visible.

    walk the careful lawns,
    manicured like french tips
    and there are street lamps ablaze
    in the weird sidewalked town
    that is this,
    a cluster of fear,
    afraid of the dark
    and the gunshots
    and the answers
    to more unanswerable questions.

    young girls flutter and fawn,
    destroy the world
    with their delicate way
    and leave older, broken boys
    standing with hands in pockets
    or gripping steering wheels,
    drifting in and out
    town after town,
    city by city,
    we the keepers of their despair
    so that they may be extraordinary.

    health fails, dreams die,
    things change and people move on,
    girls become women
    and strangle this understanding,
    revert you back to an idiot child
    with no sense or memory,
    a vessel aimless and dumb
    and to this i say fuck their despair,
    i give it back
    to each and every slowly
    over the course of many years,
    ignoring, pretending,
    choosing to remove myself
    from their tapestry of conquests.

    -S.C. Martinez

  • nothing can touch me here,
    i lick vodka from a wet glass
    and burn medicine that toils
    in my throat, in my lungs,
    in my blood and in my head.

    her hollow bones sing
    a birdsong far off and light,
    a dream, a lie, a distraction
    against the slow comedown
    from this very brief apex.

    i want to be rid of this lesson,
    i want to be quit of this place
    and go back to the evening rise up,
    the momentum that crests and breaks
    at the changing of the guard,
    the brief turnover wherein god
    in his holy fatigue closes a tired eye
    and is blind to the comradery that exists
    with the demons i work so diligently
    to bury in the day, in the light.

    come at me with your reasons,
    your criminal obsession
    and watch this fire wither and wane,
    tremble and choke and pulse
    the slow antibeat of death,
    watch this lesson be rid of you,
    watch this place turn liquid
    and unpleasant to be in,
    watch me quietly exit
    back in to a dream you dreamt long ago.

    -S.C. Martinez

  • headlights swing past like meteors
    and we are coming out with the night,
    a steady stream from cars and porches,
    swinging in on dark ropes,
    thieves, idiots, artists and stranglers
    alike all in the reckoning of midnight.

    pretty girls slide past dangerously
    leaving behind perfume clouds
    and the light impression of their movement,
    their eyes close and they move to the sound
    and they smile and shout and dance, dance
    while the world spins and things turn.

    strange people on strange crooked streets,
    traffic lights on wires swinging in the breeze
    and everything is calm and quiet,
    somehow muted in the dense volume of now,
    in the low hum of these weird machines.

    -S.C. Martinez

  • there is a gentle satisfaction
    in never hearing a song completed.

    to linger in the slow echo
    of its ever changing body
    rolling onward through the years.

    the same parts played again
    and again, evolution in sound
    and again, a drifting of words
    melancholy and aimless.

    it moves like water, like light,
    in constant transfer with itself,
    notes in tandem spill through
    the cracks in the house
    and lend themselves to the world without,
    never completing, ending abruptly.

    -S.C. Martinez