• in the long columns of sunlight i am stranded,
    in shade i am stranded, in downpour and desert
    i am stranded in this painting, poem, or song.

    it makes no difference where i go,
    i drive day and night aimlessly,
    i follow street shadows and blistered pavement
    through black and grey skinned hazard,
    i follow crooked merchants up and down sidewalks
    with their assortment of philosophies,
    i watch white women in bright classy shoes
    chatter endlessly to the air,
    tossing a sunburst of brilliant hair
    carelessly over their shoulder like an explosion,
    i hear black girls with harsh loud voices
    putting back the struggle and the drama,
    the endless tragedy, mexicans with wide hips
    and dirt devils dancing through their blood
    and tattoos on their tits, i endeavor
    to watch and witness them all for no other reason
    than to pass the hours, swerve through the days
    like a mirage through thirst and sweat.

    i hide death beneath a black beard
    and i wake every morning with it on my mind,
    cancer, car wreck, plane crash, shotgun sonnets,
    an atom bomb in lymphnode nurseries,
    how it will come is already written yet
    i cannot find the words to keep back this trauma,
    this certainty i must grapple with hour on hour,
    day by day in the endless chasing of my thoughts.

    i miss ashtray women and wine bottle battles,
    broken nights and apologetic days, long sunsets
    spent in bed wrestling the agents of our own doom
    in an attempt to suffocate them beneath the sheets,
    drown them in our sweat and deafen them with shouts,
    anything to ultimately rid ourselves
    of their dark and depressing presence.

    i long now more than ever for some halving
    of this burden, some chemistry to dissolve it with
    and some stone to bury it under,
    some morning built on a smile and a sundrop
    yet here we are, stranded, driving down the hours
    behind engine growling greed, a psychopath in protest
    reserved to remain in outlands of loneliness
    to keep the monster quiet, to keep the timid tame,
    to keep pulsing this machinegun heartbeat
    for fear it may slow, then stop, then fade forever.

    -S.C. Martinez

  • i am an artist, ask any woman
    who has known my carnal heart
    and she will tell you,
    yes, yes, he is an artist.

    she will tell you of my words,
    how i described her form,
    her eyes like ringed planets,
    the curves of her side
    like sand dunes touched with silk
    that i would often slide down
    with my hands and my lips,
    around her navel and over her hips,
    where i would leave little traces
    across the spaces that i had been.

    yes, yes, i am an artist,
    and so i drew starry nights
    and sunflowers on her back
    with the brush of my fingers,
    almond branches in bloom
    and bell lilies in a copper vase,
    i would borrow from other artists
    to strengthen my work
    and i know that were they there
    they would have nodded sagely
    before turning their eyes
    back to that translucent mirror
    they each and all had crossed.

    yes, yes, he is an artist,
    she would say, before unveiling
    the horrible artifacts
    that all artists carry around
    in their worn out pockets,
    the madness, the black hearts,
    the red eyes and shouting,
    the vengeance, the swearing,
    the lies and idiot behavior,
    the violence so serene and pure
    that it may only express itself
    through disappointment and fear.

    the drinking, nights of drinking,
    sitting alone with a glass
    and a cigarette stirring trouble
    in the substance of the soul,
    bottling it and preserving it,
    placing it neatly on a shelf
    to collect dust and be forgotten
    until one evening some months on
    it would be recalled and opened
    and out would come the horror,
    the horror of the artistry,
    broken things and spilled drinks,
    ugly words thrown at such pretty faces,
    crushed hearts and footsteps leading away
    back out in to the night
    that had been before and would again
    until no more nights were made at all.

    yes, yes, i am an artist,
    i mix the apollonian with the dionysian
    and carry around this amalgamous god matter
    to make something i can live with,
    some essence that keeps back
    the monotony and the chaos,
    and though from time to time
    i slide further upon one end
    and back then to the other, i am an artist,
    and i will eat my own rabid heart
    before i give in to the squalor
    of ordinary, everyday splendor.

    -S.C. Martinez

  • let’s suffocate together
    between our
    little
    personal
    dramas.

    let’s drown together
    wrapped in the arms
    of our
    heavy
    maternal
    waters.

    let’s experiment with form,
    matter, sound, and light,
    rhyme, meter, method,
    and slip in to a
    slow
    strange
    expression.

    let’s enact a tragedy
    with characters old and new,
    let’s dance through life
    and cast dark replicas
    against a
    high
    autistic
    curtain.

    let’s murder morning
    and make pretty patterns
    in the blood, let’s be killers
    and let’s write our names in it
    so those that pass through
    where morning used to be
    know
    who
    did it.

    -S.C. Martinez

  • i have encountered again the panic,
    the residual fear that hangs about
    and it brings me to a howl,
    loud and cold and alone, naked, shivering,
    again terrified of what each moment brings.

    it follows me like an instinct,
    through hallways and down highways
    and across states and in to cities,
    through the tangled mess of cars and arms
    it comes like a virus, like a storm,
    like some murder close of blood.

    and so i must consume, devour,
    give back to the night
    some vestige of what i once was,
    and so i dance with devils
    and women with bullet hole hearts
    and those without any heart at all,
    women made of steam
    like phantoms of industrial automation,
    and so i dance with the panic
    hour round hour to get closer
    to that which must ultimately
    bring me to some end
    and as i move further away from home
    the shadows grow long on the road
    and my heart knows only sorrow.

    -S.C. Martinez

  • watch patterns turn over and over
    and feed back in to your world,
    women and chemical affairs,
    the same stars that have witnessed
    since birth the patterns emerge
    and repeat, repeat, recycle and repeat.

    the moving parts of this machine
    run not on gasoline but blood,
    time, spirit and ethereal concept,
    love and lust and hate and regret
    and all manner of invisible fuels
    that keep the universe fluid.

    the heart burns on internal combustion
    and every other part reacts with motion,
    motion of thought and motion of hand
    drawing from the turbines within
    to keep pace against the patterns
    that are in a state of constant flux
    and determined to burn you out
    in a haze of smoke, oil and confusion.

    -S.C. Martinez

  • i have become something
    other than the sum of my own parts,
    hands through thin and troubled hair,
    eyes bloodshot and out of focus,
    everything thrice dissolved
    and offset by its own simulacral image.

    blood memory and familial madness,
    interactions with others,
    a strange presence permeates
    throughout the heart and follows
    wherever i go, ghosts present
    in the forms of lesson and mistake,
    a cosmic dry heave grating
    from and through the throat of god.

    drowning in the piss and shit,
    wading through the filth
    and finding in it diamonds and dollars,
    winks and smiles, things to keep
    and thus define this life by,
    night after night in the dark
    to piece together some life of work
    by which everyone else can learn from
    so that i may go in peace,
    fading like a smoke trail,
    a breath, an aurora of grit and soul.

    -S.C. Martinez

  • i live among arachnids great and small
    and i have entered in to a conflict
    with the greater and more terrifying,
    their long thin legs stretching slow
    and full of horror like death threats,
    dark agony, filled with genetic wisdom
    and necessity, these wretched bastards.

    these many legged maniacs that drift
    across the carpet, who emerge from between
    the clefts in the walls, the dark corners
    of the room, the spaces the mind neglects
    and their spindles throb with thread,
    with rotten acrimony and poison intent,
    they crawl across the skin at night
    and it is strange and it is terrible.

    their black and bulbous bodies
    dance within the confines of the night
    and with every eye they judge fact from lie,
    cephalothoracic nightmare blending black and white
    and i have engaged this war with insight,
    with respect and admiration, skill and cunning
    and so i have made a truce with the lesser tribes
    to eradicate their brethren entire.

    you can see the aftermath of their battles
    like napalm-scarred villages,
    a quiet stillness on the river,
    a soft memory fading from itself,
    a genetic proof evident stark
    among their heavy webs like smeared semen
    caught in the corners of the room
    where one crawls over and around the dead
    of their enemy, a message to the others,
    a head trophied on a stake,
    a tremble in the mess of things,
    a ritual fire built and burned.

    in the blackness we converge
    to an order beyond helix or structure,
    a machine to push forward the breath of evolution
    by violence and neglect, the usual suspects,
    a fire in the blood to divide one from the other
    and here we come to a greater understanding
    in that i am a third party, a greater foe
    and a friend to none and i navigate
    espionage and undercover treason
    to reach an ultimate terminus
    whereby no spiders exist in my company at all
    and i will war night and day
    for no other reason than to do so.

    -S.C. Martinez

  • i dreamt that you and i were devils
    and we slowly destroyed one another
    with fire and hail and shrapnel,
    words of murder and consequence
    thrown about carelessly
    like so many wasted hours.

    i dreamt that you and i were lovers
    and we reveled in the company
    of only one another,
    rolling and rolling wrapped in sheets
    and purring smoke
    from between your modest lips,
    finding in the eyes of the other
    some parable by which to live.

    i dreamt that you and i were mad
    and by some tragedy
    we were forced to stand by one another,
    savage paracletes of nocuous intent
    grinding teeth and crushing our hearts
    between the fear and the longing,
    where our hands should have met
    instead we pointed fingers
    and slung words of perilous monument.

    i dreamt that you and i were one another
    and in this dream i found out
    the horror of my spirit,
    the numinous ego that is this
    and every other indictment
    against the substance of my own heart,
    i dreamt that you and i were what we are
    and i awoke to find this true.

    -S.C. Martinez

  • this is an expression of nature,
    this word, ‘war’,
    it is a necessary catharsis
    through which all things expel
    the waste product of power and being,
    the shedding of hope and fear
    and the removal of those
    who can not adequately adhere
    to this principle.

    this is necessary,
    this word, ‘war’,
    it must be maintained
    and cultivated, perfected,
    the antiquated parts hacked off
    and buried to appease the universe,
    to burn a bond in to the fabric
    of everything, to sacrifice,
    this is necessity, this is purpose.

    this is what wakes men from sleep,
    this word, ‘war’,
    it is the organism behind
    that which we see with our eyes
    and all conflicts here
    are but parts of the greater war without,
    that one which envelopes all,
    a blade of grass struggling
    against the wind is at war
    and is as noble a warrior as ever there was,
    for he has found this moment in the universe
    that will stand alone as inherently his,
    this moment, apart from all moments,
    this moment is the one that gives light
    to all others.

    this is the way of things,
    this word, ‘war’,
    our lives are always taking place
    against the backdrop of war
    and it is from this play of light and shadow
    that we are to pull from existence
    the parts needed to remain within it,
    alive, burning, killing, consuming,
    expounding upon the very conflicts
    taking place in our hearts
    and pouring them out on to the earth
    in whatever form is most efficient,
    this is the notion of being,
    this is the purpose of dying,
    this is the way of things,
    this word, ‘war’.

    -S.C. Martinez

  • fluorescent light from my younger days,
    a child of strange merging, wandering
    through the house looking for things unknown;
    such light now, so many years on,
    spoils the utter darkness of her apartment
    though it scarcely finds us in the bedroom
    and it is just enough to know we exist.

    she lies naked on her stomach
    and her pale breasts touch the edge of the bed
    in perfect symmetry and geometric proof,
    the light forms her body discreetly
    and i run my fingers over her skin,
    across her shoulders, down her spine, her thighs;
    the boxfan on the floor, propped against the wall,
    pulsates rhythmically like a distant song
    and her dark hair is quietly disturbed
    by its rippling waves and her eyes are wild
    and serve as nurseries to stars in combusting births
    and the color is difficult to pin down
    and it may be that i love them and her
    in equal jurisdiction marked out
    within the strange spiral galaxies of my heart.

    a glass of merlot cradled in her delicate hands
    like an offering of arterial blood dark and foreboding,
    the stuff of hearts that cascades down her lovely throat
    and i am unworthy of her touch, her kiss, her gaze,
    but she is kind, she is soft, lovely as those lands
    of the earth as yet unfound and so unfaded,
    a lunar eclipse that cannot be felt by hand,
    cannot be heard, measured, can only be compared
    against that which bears no common description,
    the places kept hidden by the id, something greater
    than words from the greatest of poets
    in their greatest of hours.

    she is sweet like spring evenings,
    sunset of flame and enigmatic pondering,
    inspiring pursuit from the lonesome argonauts
    lost in the remote stations of my wayward spirit,
    she is ice in my wine that clatters against the glass
    as i walk back and forth her empty home
    while she is away, ruminating over her and her mind
    and she is wonderful and i lose this contest
    of sculpting her beauty in paper and ink,
    yet still i will carve her name in to a thousand nights
    to catch and keep her affection.

    -S.C. Martinez